It’s natural to stop dancing between songs. The beat changes, the sub-rhythms reorient themselves, a new hook is presented and a new statement is made. But stopping dancing between songs is undesirable. We wish to lose ourselves in as many consecutive moments as possible. The art of mixing music is to fulfill our desire to dance along to continuous excellent music, uninterrupted for many minutes (or, in the best case, many hours) at a time. (Even if we don’t explicitly move our bodies to the music, when we listen our minds are dancing; the same rules apply.)
I don’t remember what prompted me to take that note, but it was probably not that the mixing was especially smooth.
A tomato hailing from Capay, California.
LHCSound is a site where you can listen to sonified data from the Large Hadron Collider. Some thoughts:
- That’s one untidy heap of a website. Is this how it feels to be inside the mind of a brilliant physicist?
- The name “LHCSound” refers to “Csound”, a programming language for audio synthesis and music composition. But how many of their readers will make the connection?
- If they are expecting their readers to know what Csound is, then their explanation of the process they used for sonification falls way short. I want to know the details of how they mapped their data to synthesis parameters.
- What great sampling material this will make. I wonder how long before we hear electronic music incorporating these sounds.